Cultural Re-tuning
Four simple steps (simple, not easy):
- Pray
- Play
- Build your bridges
- Live life in layers (in next post)
Spiritual Solutions
Structural Trusses, such as in the Taos Gorge Bridge give us spiritual metaphors in two ways. {Due to Structurae image licensing, we’re putting the post up with links only, until our image use requests are approved. Until then, just open the link in a new tab or new browser, to have the image available as you study.}
In their triangular shape they echo the foundation of the Triune God, and in the fact that they help man create new order by holding and transmitting tensions from various constituencies, trusses echo the tension of maintaining the orthodox middle ground between an angelism which denies the body and animalism which gives it free reign.
Pray
A rule of thumb to avoid getting overly religious: pray only on those days you breathe.
Three action habits:
[Frequent] Prayer (structured, organized, spontaneous, private)
[Frequent] Eucharist (work your schedule around your participation in the “Paschal Marriage of the Lamb,” rather than fitting Mass into your schedule)
[Frequent] Confession (monthly or even fortnightly)
Woven throughout the expression of all three habits is the primacy of releasing control to receive God’s grace:
38.…commit ourselves more confidently to a pastoral activity that gives personal and communal prayer its proper place, we shall be observing an essential principle of the Christian view of life: the primacy of grace. There is a temptation which perennially besets every spiritual journey and pastoral work: that of thinking that the results depend on our ability to act and to plan. God of course asks us really to cooperate with his grace, and therefore invites us to invest all our resources of intelligence and energy in serving the cause of the Kingdom. But it is fatal to forget that “without Christ we can do nothing” (cf. Jn 15:5). [NMI 38]
Play
Maturity has its moments but growing up is highly over-rated. In the midst of your business—(for some that should be spelt busyness)—remember to play. Learning to play is probably the most novel, and most vital message of this series, more fully developed in David Billington’s The Tower and the Bridge.

image: Barnes & Noble
The Dutch cultural historian Johan Huizinga (1872-1944) argued in a full-length book that humanity goes by three names: Homo Faber, Homo Sapiens, and Homo Ludens (man the maker, man the knower and man the player). (18)… “Play has a tendency to be beautiful.” (19)…He really means to argue that play is central to civilization and that it is essential to an ordered society. [TBr 231]
Billington continues his commentary on Huizinga’s view of play:
Telford’s trussed arches, Eiffel’s crescents, Roebling’s diagonals, Maillart’s lens-shaped arches, Ammann’s single-braced towers, Menn’s thin polygonal arches, Nervi’s ribbing, Isler’s sheets of waved concrete, Candela’s hyperbolic paraboloids, and Khan’s skeletal walls are all signals of personal style; they stand for discipline and have universal appeal but, above all, they enliven the community by insisting that structure is play.
To be playful with structure is not to be willful. …[Structural artists] studied long and hard to learn the rules (of nature); they tried continually to play fair (with society); and in creating order they surprised others with the beauty of their works. At the heart of technology, they found their own individuality; they created personal styles without denying any of the rigor of engineering. [TBr 274]
The same principle is true in engineering as in business: theories must fit data, not the other way around.
Robert Maillart, the Swiss bridge designer, developed in 1923 a limited theory for one of his arched bridge types which…infuriated many Swiss academics…[because they were so fixed on real forms fitting theory rather than theory describing real forms]…In the United States, by contrast, some of our best engineers understood the general theory well, but not understanding Maillart’s specific ideas, they failed to see how new designs could arise. They were trapped in a view of an engineering analysis which was so complex that it obscured new design possibilities. Today the undue reliance on complex computer analyses can have the same limiting effect on design… [TBr 10]
Bridge-building:
Applying the lessons of this Polish Pope’s Wednesday Audiences is what being friends with people is all about: seeing the good in them from different points of view. Translating from the human dimension to the human-created dimension, a beautiful example of this is in the Garabit Viaduct which Gustave Eiffel designed in 1884 to span the Truyère River 17 km south of St. Flour, France. The crescent supporting the railway

image: bridgink on flickr
gets narrower but deeper as it rises from the supports in the valley, “…handsome in pure profile (its two-dimensional aspect),

image: urban-exploration.com
but in addition, it provides visual surprise and delight from different perspectives (its three-dimensional aspect).” [TBr 69].
Such created beauty inspires and evokes the potential for indwelling infinite Goodness that Adam and Eve saw in one another in original innocence. Through mature growth, we can approach that interior innocence again. This is just one of a global supply of examples where man, “created for his own sake,” [GS 24] recapitulates God’s creative activity and transforms the world around him. (Gen 1:28) Living in the center of the Gift, the created becomes creator. Not alone, not in solitude, but as a part of a “corpus structuræ” inspired by Corpus Christi. As we wrap up Ordinary Time and the close of another church year with the Feast of Christ the King this past Sunday, the corrected Mass translations for the English-speaking world mean we will be depending more on each other than we have in the previous four decades. That is something to be thankful for!
Most likely there will be no post this Thursday (US Thanksgiving), so we’ll continue this series next week.
Until next time, keep the faith!
Matthew